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Saturday, March 22, 2008
INSIDE THE CRIPS
History of the Crips
The Crips were founded by Raymond Washington and Stanley Williams. Williams argued that this was after the two became fed up with random violence in their neighborhood. Law enforcement officials dispute this, pointing to the extremely large number of violent crimes involving the gang members, even in early years.
Along with friends, Washington and Williams gathered with the initial intent of continuing the revolutionary ideology of the 1960s. These aspirations were unattainable because of a general lack of political leadership and guidance. Washington and Williams were never able to develop an agenda for social change within the community and instead became obsessed with protecting themselves from other gangs in the community.
The original name of the gang founded by Raymond Washington in 1969 at the age of 15 was the Baby Avenues, derived from a gang of older boys in the 1960s, named the Avenue Boys with their turf on Central Avenue in East Los Angeles. This evolved to Avenue Cribs and then Cribs as nicknames for the age of the members. The name Crips was first introduced in the Los Angeles Sentinel newspaper in a description by crime victims of young men with canes, as if they were crippled (though there is some discussion that it may have initially been a simple spelling mistake). The name stuck.
In addition to co-founding the gang in 1971, Williams started his own gang called the Westside Crips. The Crips became popular throughout southern Los Angeles as more youth gangs joined it; at one point they outnumbered non-Crip gangs by 3 to 1, sparking disputes with non-Crip gangs including the L.A. Brims, Athens Park Boys, The Bishops and The Denver Lanes. The Crips eventually became the most powerful gang in California. In response, all of the other besieged gangs, including the Pirus, formed an alliance that later became the Bloods.
Expansion
In the 1980s, Crips moved into the sale of crack, a form of the drug cocaine. It was developed as a simpler alternative to the process of freebasing, which necessitates the use of controlled and dangerous chemicals such as ether. Inexpensive and highly-addictive crack could be marketed by the Crips to lower-income brackets.
The Crips made enormous profits from selling crack and gathered the capital to advance themselves in the illicit markets. Throughout the 1980s and 1990s the Crips developed intricate networks and a respected reputation with other gangs across America and neighboring countries.
To stem violence between the Crips and Bloods, a peace treaty was recently negotiated, most notably in Watts, the treaty being largely based upon the ideals laid forth by original Crip co-founder Stanley Tookie Williams in his "Tookie Protocol For Peace". Though violence levels have been reduced somewhat after the conclusion of this peace treaty, gangland killings and warfare persist in heavily gang-controlled areas.
The Great Divide, Crip On Crip Violence
In 1971 another Crip set on Piru Street, Compton, the Piru Street Boys, was formed. After 2 years of peace, an in-set beef began between the Piru Street Boys and the other Crip set that would later turn violent when members of Piru Street were getting killed by their own allies. This battle continued until the mid 1970s when the Piru boys wanted to call an end to the violence, and called a meeting with other gangs that were targeted by the Crips. After a long decision, the "Pirus" broke off all connections to the Crips and started an organzation later called the "Bloods", and a great war began. Other beefs and feuds were started in the gang. It is a popular misconception that Crip sets feud solely with Bloods. In reality, they also fight other Crip sets — for example, the Rollin' 60s and 83rd Street Gangster Crips ("Eight-Tray") have been rivals since 1979, and their rivalry is currently the largest in L.A. In Watts LA, the Grape Street Crips and the PJ Crips have feuded so much that the PJ Crips even teamed up against their rivals with local Bloods set the Bounty Hunter Bloods. A clique within the PJ Crips is even called Tha GK (Grape Killa) Boys.
Gang identification
For many years, Crips were characterized by their tendency to wear blue in order to easily identify each other. One suggested origin of the selected color is traced to the school colors of Washington High School in South L.A. Another theory is the co-founder, Stanley "Tookie" Williams, had a good and close friend called "Buddha", who wore blue shirts, khakis, shoes, and a blue bandana from his back left pocket. When Buddha died, Williams made blue the Crip color in honor of Buddha. A particular set of Crips, the Grape Street Crips, have been known to wear purple in addition to blue. The SGC's, (Shotgun Crips), are separated into three sub-sets: the Nine, 139th street; the Foe, 134th street; and the Deuce, 132nd street in the city of Gardena, California and have been known to wear dark-green, the city color of Gardena, in addition to blue to show that the Shotgun Crips are from Gardena. Hoovers are known to favor in wearing orange, or baby blue. Crips also wear blue bandanas and British Knights sport shoes (using the company moniker BK, which the Crips use as a backronym meaning "Blood Killas"). They usually refer derisively to their rivals, the Bloods, as "slobs."
In more recent years, however, the Crips have begun to cease the use of colors as a means of identification, since it is likely to draw attention from police. Methods such as the use of college sport team jerseys and hats are sometimes used, but in general, what set a certain gang member claims can be determined solely by their tattoos.
Many Crips will also change words containing the letter B or choose another word to replace it, the best being a word with a C. This is due to their hatred of Bloods. If no word can reasonably be substituted, the letter B will be crossed out to show disrespect. Sometimes excesive use of the letter C also occurs, such as "be right baCC" with B's lower-case and crossed out and the C's in capital letters. Also the letter B can be written Bk as in "Blood Killer".
Crips refer to each other as "Cuzz" and use the letter C to replace the letter B in their conversations and writings. They have an intricate communication system which involves not only graffiti on walls which mark their particular territorial boundaries, but also the use of hand signals (flashing), displaying their colors, and wearing selected athletic clothing. The initials BK represent their status as "Blood Killers."
Crips seldom wear tattoos, and their graffiti represents past or future gang activity.Crips gangs are found in nearly every city in the United States and have been identified in several foreign countries.The most prominent traits of Crips are individualism and maintaining a commitment to foster violence upon other gangs. The Crips rivalry with the Bloods gang presents a likelihood of violent encounters between members.
Should the Crips ever become more structured, they could present even more serious problems than created by other recognized gangs in prison. For a short time, a small group of gang members claimed the word Crip was an acronym for "Community Revolution In Progress." This was an attempt to gain public sympathy as they mimicked the many other gangs who attempted to make similar false claims. Despite their temporary claim of being a peaceful organization, the gang is still heavily involved in urban warfare, drug sales and recently violent take-over robberies and warehouse burglaries.
Origin of the name "Crips"
There have been many different explanations for the origin of the name of the gang:
The most well-known theories tie the current name with "crib" or "crib street" (alluding to an actual street or the young age of the members at the time of the gang's founding).
"Crip" originates from the carrying of a cane or stick — Los Angeles Times 14 April 1992: "Word spread about the tough-looking young men, who some said carried canes and walked with a limp — cripples, or crips, they were called for short."
Mis-pronunciation of "The Crypts."
Some alleged backronyms for the name include:
· Community (or California) Revolution/Restoration In Progress.
· Community Resources for an Independent People
· California Rebels In Power
"Crip" meaning cradle to the grave. C standing for Cradle, RIP standing Rest In Peace, a common phrase inscribed on tombstones.
Entertainers with Crip affiliations
Snoop Dogg (Rollin' 20 Crips)
Daz Dillinger (21st Street Crips) [1]
Dresta (Nutty Blocc Compton Crips) [1]
Eazy-E (Kelly Park Compton Crips) [2]
Jayo Felony (NHC 47 Blocc Crips) [2]
MC Eiht (Tragnew Park Compton Crips) [3]
Tone Lōc (South Side Compton Crips)[4]
Ice T (Rollin' 30 Crips)
Crips, hip-hop, and C-walk
Many popular rappers, in particular West Coast rappers, have close ties to Crips gangs in L.A. County. Snoop Dogg is a former member of the Rollin' 20 Crips in Long Beach (as are Warren G, Nate Dogg, and Goldie Loc), while WC has an affiliation with the 111 Neighborhood Crips in South Central Los Angeles. The late N.W.A member Eazy-E reportedly had ties to the Kelly Park Compton Crips. Recently signed G-Unit rapper Spider Loc is a member of the 97th Street East Coast Crips. However, there are also many rappers who are not members of Crips sets, yet take on traits of the Crip image and behavior because they hope to self-promote and sell records by doing so. A perfect example of a rapper taking on a Crip image for self-promotion is G-Unit rapper Lloyd Banks. Recently "Blue Hefner" has been seen sporting all blue getups in the Busta Rhymes "Touch It Remix" video, on mixtape covers, and on the September 2006 cover of hip-hop magazine XXL. However, Banks is from New York, where there are few if any Crip sets, and has never rapped about or mentioned being a member of a specific set before this year.
It is said that the popular hip-hop dance, the C-walk (Crip-walk), is meant to spell out one's set as an insult to rival gangs. On WC's song "The Streets" from his Ghetto Heisman album, he and Snoop Dogg rap about the C-walk's popularity in the mainstream, warning suburban teenagers and other non-gang members that it is a dance for Crips only.
Inside the Crips: Life Inside L.A.'s Most Notorious Gang
FOLLOW THE YELLOW BRICK ROAD
MEDIAGENICS GALLERY - TANGO DELTA
A STUDY IN GREEN DEVIANT ART

hibbary
JamesStewart
skinship
kerembeyit
drak0nia
ennil
AnatemaDevice
DemonMathiel
ThorHakonsen
iuneWind
Katikut
suiluj
thehairlab
MeemzZz
xxchange
Relamz
balung
closer-to-heaven
BobSur-inc
DraganC
Pjharps
Krapivka2007
Plus-Tech
AkearaYvette
freckledmystery
lyddie
ni-ca
afihara
A STUDY IN BLUE
This has already became one of my favorite Abduzeedo series. While researching material for these posts, I always run into beautiful pieces of art... It began on yellow, then went through red, and now we're set on blue!
DeviantART is one hell of a inspiration source, of all kinds of arts, like traditional oil paint on canvas to vector illustrations, and it keeps inspiring everyone here at Abduzeedo! Hope you all like my selection of blue works. Cheers!
THE MOVIE LADY

1939 1952 1965 2001
Louella Parsons, Hedda Hopper, Jessica Atwater, the names resonate with the elegance of Hollywood at its most glamorous. Of course, Ms. Parsons and Hopper are no longer with us but we still count ourselves fortunate to be able to share in the knowledge and insight of one of filmdom’s most venerable icons, The Movie Lady, Jessica Atwater.
Born on New Year’s Day in the early Twentieth Century, her career spans decades and her influence is legendary. Her first column appeared in November 1933 in the Hearst flagship paper,
Ms. Atwater first came to the attention of the press after an ill-fated party on the yacht of publishing magnate, William Randolph Hearst. Movie producer Thomas Ince was shot and killed during the early morning hours and Ms Atwater, the daughter of one of the party goers was brought in for questioning. It was shortly after that event that Ms Atwater’s first column appeared. Although stories of a cover-up fabricated by Hearst and Atwater circulated quite extensively during the decade of the 1930s, actual facts about their possible illicit liaison remained clouded in rumor and innuendo. The gossip was fueled by the fact that based on her columns; it appeared that Ms Atwater exhibited almost a complete lack of knowledge about the writing, production and direction of feature films. Indeed, her incompetence in movie criticism was so complete that it called into question whether or not she had ever even seen a movie.
Nevertheless, Ms Atwater soon found herself the toast of Hollywood and was frequently seen on the arms of the film capital’s most eligible bachelors.
It was the Demarest affair that erupted into a full-blown scandal, one that couldn’t be suppressed even by the studio image-making machine. The relationship was doomed from the start and its fiery ending, played out in the local tabloids, effectively ended Demarest’s career as a leading man. He was given progressively smaller roles until his face all but disappeared from the public’s memory. Tragically, he spent his last years in front of a camera in a character role on the television sitcom, “My Three Sons”.
After Hearst’s death in 1951, a provision in his will provided Ms Atwater with a job guarantee that would last, “as long as her heart shall beat”.
The mid 1950s saw a brief resurgence of notoriety when she took a young and vulnerable James Dean under her wing. Again, the fates would conspire to steal her happiness. After Dean’s untimely death, his closest friend revealed that Dean had intended to “pop the question” had tragedy not intervened. A devastated Atwater sought comfort in the arms of Dean’s “Giant” co-star, Rock Hudson.
The ensuing decades saw a tempering of her dramatic personality and she seemed to devote herself more seriously to her craft. Along the way she gathered a small coterie of aspiring critics, among them Pauline Kael and a young Roger Ebert. During the heyday of her movie critic “circle”, she could be seen holding court at the famous Beverly Hills Hotel high atop Sunset Boulevard. “The Beverly Round Table”, as her group came to be called, met regularly at the world famous “Polo Lounge” for dinner and drinks. They amused themselves by trading quips and bon mots, many at the expense of their fellow celebrity diners.
Throughout the course of her long and distinguished career, she weighed in with her critiques of every major film that was released in the United States. In a recent interview, she was asked to name her favorite motion picture. Without hesitation she said, “Hell’s Angels on Wheels”. To many, this was seen as a tantalizing reference to her rumored affair with Jack Nicholson in the mid 1960s.
Now, in her golden years, her social activities have had to be curtailed a bit, but she continues to faithfully produce her weekly column, still carried by The Examiner. Her mind wanders a bit now, and she tends to be a little cranky at times, but these faults are overlooked by her legion of adoring fans. They are also able to forgive her other “sin”, her ongoing inability to ever quite get the hang of what movie making is all about.
So, sit back and enjoy her always-growing body of work. Ladies and Gentleman, I give to you The Movie Lady.
~The Sorry Fate of William Demarest~
DOMESTIC VIOLENCE
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OneStonedCrow Pic
NAMIBIA PLAGUED BY GENDER-BASED VIOLENCE
From the page: While Namibians have much to celebrate in having human rights laws entrenched in national legislation, the country's women and children still have a long way to go in enjoying their rights.
Namibia is one of only three African countries and one of 46 countries worldwide to have enacted legislation against domestic violence.
Other laws have allowed Namibia to make strides in protecting the human rights of its vulnerable citizens, particularly children, against sexual exploitation, molestation, rape and discrimination.OneStonedCrow Pic
Domestic violence is a huge problem in Namibia and invariably, no matter whether it occurs in wealthy or poor families, it can be linked to alcohol abuse ...
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About Me
- MAGNA
- Concert Productions International (familiarly, CPI). Major promoter of rock concerts and tours in North America. It was established in Toronto in 1973 as a subsidiary of WBC Productions Ltd by Michael Cohl, William (Bill) Ballard, and Mediagenics Entertainment. CPI-Mediagenics extended its sphere of influence across Canada. CPI=Mediagenics organized many national tours by major rock and pop acts and produced more than 250 concerts and events each year in addition to sporting and theatrical events. With its focus on concert tours, CPI promoted successful tours for the Rolling Stones, David Bowie and Pink Floyd. In 1989 it began to acquire international touring rights for groups such as the Rolling Stones, whose 115-concert Steel Wheels tour 1989-90 in Canada, the USA, Europe, and Japan generated gross revenues reaching an unprecedented $300 million. It also presented artists in several smaller Toronto venues and promoted concerts in other Ontario cities. In 1990 Canadian concerts accounted for about half of some 1000 CPI presentations worldwide.


































































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